Now you can fit sweeping landscapes into a single frame with the 28mm wide-angle setting. Pull in subjects from far away to capture even subtle facial expressions with the dynamic 280mm telephoto setting. Ideal for traveling, the DMC-TZ5 Lumix 9.1-megapixel digital camera combines a wide-ranging LEICA DC Vario-Elmar lens with a handy, compact body. The Extra Optical Zoom function also extends the zoom to as much as 16.9x, giving you even greater telephoto power. Set the TZ5 to iA mode and let the five Intelligent Auto functions team up to help prevent shooting errors. Intelligent Exposure corrects lighting differences, so images come out just the way you see them; Intelligent Scene Selector chooses the mode that best fits the situation; MEGA Optical Image Stabilization helps prevent blurring from hand-shake; Intelligent ISO Control helps prevent motion blur; and Face Detection helps produce clear portraits by optimizing the focus and exposure settings. The TZ5 can reco (more…)

Now you can fit sweeping landscapes into a single frame with the 28mm wide-angle setting.

Pull in subjects from far away to capture even subtle facial expressions with the dynamic 280mm telephoto setting. Ideal for traveling, the DMC-TZ5 Lumix 9.1-megapixel digital camera combines a wide-ranging LEICA DC Vario-Elmar lens with a handy, compact body.

The Extra Optical Zoom function also extends the zoom to as much as 16.9x, giving you even greater telephoto power.

Set the TZ5 to iA mode and let the five Intelligent Auto functions team up to help prevent shooting errors.

Intelligent Exposure corrects lighting differences, so images come out just the way you see them; Intelligent Scene Selector chooses the mode that best fits the situation; MEGA Optical Image Stabilization helps prevent blurring from hand-shake; Intelligent ISO Control helps prevent motion blur; and Face Detection helps produce clear portraits by optimizing the focus and exposure settings. The TZ5 can reco (more…)

Video review of the Panasonic Lumix DMC-TZ5 9MP Digital Camera

Amazing video using the Panasonic Lumix DMC-TZ5

Designed for easy, creative shooting, and high-performance in low-light conditions, the Panasonic DMC-LX3 features a F2.0 24mm Leica DC Vario-Summicron lens, 10.1 megapixels and an ultra-sensitive 1/1.63-inch CCD developed specifically for this model.

By combining a high-quality lens and sensor ready for a variety of shooting conditions with a wide-range of accessories and manual controls, the DMC-LX3 is ideal for professional photographers and serious amateurs looking for a compact digital camera that furthers their creative photography.

At the heart of the DMC-LX3, is its 1/1.63-inch CCD. Making the intentional choice to limit the number of megapixels to 10.1 on its CCD, Panasonic was able to give more space for each pixel and also redesigned the peripheral circuits and other components to further minimize noise generation. As a result, sensitivity is almost 40 percent higher and saturation is increased by 35 percent when compared to Panasonic’s 10 (more…)

Video review of the Panasonic DMC-LX3K 10.1MP Digital Camera

The field of child photography is challenging but also both enjoyable and profitable – if you like children. Don’t bother pretending, if you really don’t. You may fool a parent – but not the little one.

Tips to help are:
The techniques used in most other fields of photography do not always apply in child photography. The phrase “hold it” or “freeze” carry very little weight with children. They typically do as they please and if they please. Your assignment is to anticipate what a child may be about to do and capture it.

YOU can turn this into your advantage: Since children don’t always do what you want them to do, or what you expect them to do (actually they rarely do!). A solution often is: don’t expect them to become a cooperative little adult merely because you want to take their picture. Trick them – expect them to act like children. Don’t expect anything in particular. DO this and you can enter the fun and profitable field of child photography.

Know your stuff -
Before you start booking sessions with children you must know exactly what you are capable of doing – what your camera is capable of doing – what all your equipment is capable of doing. Operating your camera and equipment must be second nature. Have your style of photography down pat, so when you start a session your mind is on the child(ren). This takes your complete focus. This is not the time to be fiddling with you camera, or trying to figure out your light setup. Children take 100% of your concentration. For some children the entire shoot may only last 10 minutes – though you feel you have just run a marathon – so you have to be able to get in position , get the most cooperation from the child, get great shots. At times, this has to be done very quickly, BUT you cannot make the child feel they are being rushed.

Know your subjects -
With children, you must expect the unexpected. At different ages children are capable of doing different things. The more you know what they typically do during some of these stages, the better images you are going to capture. And the happier you make your clients – which, in turn, makes you financially happy.

During a session photographing children you can get a variety of poses, expressions and antics. In no other field of photography are you liable to get such variety. The more you learn about little ones the better child photographer you will be. Children are not just children until they become adults -they come in all sizes. Between four months and four years you can place them into quite a few categories: 4-6 mos, 6-12 mos, 12-18 mos, 18-24 mos, and then you can lengthen out the age span. Awareness of these ages are needed to help you – the photographer – be aware of the limitations children (especially little ones) have.

Listening to the parent can help toward a successful session.
You can learn specific things about their child that will make it or break it:
Are they afraid of certain things or sounds?
What are their special likes?
Do they like books?
How comfortable are they with a stranger approaching them? You do NOT want to spook a little one; the scheduled time may not allow for you to win their confidence.

Be ready with that camera when you first introduce something new -you do not get a second chance to get first reactions!

In most areas of photography a tripod is great for sharp photos. However with child photography you do not always have such a luxury. Once they reach the moving around stage, a tripod limits your ability to capture expressions and poses. Be mindful of your camera settings – keep that shutter speed fast enough to prevent blurring – and be ready to move quickly!

Child photography allows for close-up portraits as well as the child engaged in some activity – taking their socks off – in a box / tub with toys – climbing on or out of something. There is really no limit. As you continue to gain experience in working with children of various ages you will become more adept at learning what typically works with different age groups.

Child photography is a challenge – but don’t worry sometime it turns into children photography. Mom has twins – big brother / little sister – maybe three little cousins. The list goes on! Imagine two sister and they both have triplets! Other than the obvious difficulty of getting multiple little subjects in any semblance of position, conducive to a memorable photo you need to bring everyone’s eyes to a central focal point. Tricky, but not impossible. Adding something NEW to catch their attention, at the moment you press the shutter, can work. Use this sparingly, because when child photography turns into children photography getting all their attention on the same thing is quite a feat. The beauty of digital is no limits to the exposures you take and you can take a quick peek on the spot.

Parents can be quite helpful during the photo session. Children often are more confident with a parent nearby. Also, do not overlook the value of older brother and sisters. They have a relationship with the little one like no one else! Often they can get their little brother or sister to giggle, make faces, hold things and a host of other things that may be exactly what you need. Plus, you have the opportunity of including more subjects in the photos, which translates into a larger photo package for the customer!

As you advance in child photography you will want a lighting setup and a backdrop. A three light setup – consisting of a main light fill light and a background light – is ideal. However if you are just beginning you can do great photography with a lot less. Experiment, and add as needed. If you are using a backdrop keep the child at least four feet from the backdrop (if possible). This eliminates shadows and prevents the backdrop from competing with your subject.

Take your act on the road -
You can do child photography at the park – on the beach – in the backyard, just as easily as in a studio or home – maybe more so – and nature will take care of the lighting for you, as long as you select open shade.

Items to have on hand:
Depending on the ages and whether you are shooting indoors or outdoors you need a supply of items to catch and keep their interest and that look great in a photo:
rattles
feather dusters
soft toys
dolls
hats
mirrors
a telephone (the bigger the better)
a big whistle
duplicate toys (for twins & overly competitive little ones)
treats & snacks

There is much more to be written on child photography. For more information on this, and other related subjects, you may want to read the article

http://www.you-can-do-great-photography.com/child-photography.html

This article authored by: You-Can-Do-Great-Photography.com
This article was authored by You-Can-Do-Great-Photography.com

Today, digital photography is considered the most popular not only in the business industry but also for personal use. For all those who have shifted from film cameras, it is vital that you know the different terms related to it.

The first part of the digital photography tutorial will focus on the basic parts and terms you need to know before handling a digital camera.

Below are the common terms used in digital photography:

1. Pixel- means the tiniest part of the digital photo. A photo image is composed of combined millions of pixel.

2. Resolution- the over all quantity of pixels in a photo. Increasing the resolution would make the image become sharper. Thus more pixels are needed to achieve a better photo image quality.

3. Mega pixel- a photo composed of three to four mega pixels will have a better quality that a photo with only one mega pixel.

4. Dots Per Inch (DPI) – this term is used to describe quality of the computer monitor and printer. Specifically, laser printers have more dpi resolution than monitors. Hence, higher the dpi resolution means better quality.

5. JPEG (joint photographic experts group) – it correspond to the format for saving images in the digital camera.

6. Memory Card- this is where the digital files are stored. Memory cards consist of different sizes and capacity. A memory card with higher storage capacity would be more convenient to purchase.

7. LCD (liquid crystal display) – almost all digital cameras have this specification. The purpose of LCD is for the photographer to be able to view the scene first before capturing the photo.

Now that you already understand the first part of the digital photography tutorial, the second part will discuss basically on correct handling of digital camera.

Proper handling of digital camera is the next important step in digital photography. This is because the success of a digital photographer depends on his output. And the key to achieve quality photos starts in the way you use and handle the digital camera.

Learning how a digital camera works, understanding the strategies in taking photos, and how to take indoor and outdoor pictures are all part of the things a beginner should learn.Below is the second part of the digital photography tutorial.

These are good ideas to help beginner master the secrets of taking photos.

1. Pay attention to the subjectOne of the most fundamental digital photography tips. You should be able to compose carefully by working on the frame. Play with your camera, and explore the different shots. Avoid positioning your object at the center of the photo, as it may result to dead center image.

2. Capture Close Up PhotosTake great images by capturing them in extreme close up. Close up photos add a little creativity and excitement to the photos. In addition, this feature is only of the different ways to enhance you photo.

3. Use a tripodOftentimes digital cameras results to blurry photographs if your hands quiver a little. Getting a tripod will surely save your effort from taking low quality photos, and preserve otherwise great photos.

4. Be activeTry creative shots. Take photos from the top of a hill, or off the side of a yacht. Go outside and explore your environment. You’ll surely have fun taking those once in a lifetime photo shots.

5. Join a photography classYour learning doesn’t only focus on the practical part. You must not only learn through your experience. Learning from an expert would also help to improve your skills as a photographer. Try to join a photography class in your community, or if there are online classes you can log on.

Becoming a professional digital photographer really takes time. You just have to be resourceful and keep on trying new techniques. Start by learning the digital photography tutorial because this will serve as a stepping stone for your future career growth.
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The 10.1-megapixel Lumix DMC-FS7 features a bright F2.8 Leica DC Vario-Elmarit lens with 4x optical zoom and iA mode, comprised of four functions including Mega O.I.S., Intelligent ISO Control, Intelligent Scene Selector and Face Detection.

Like the DMC-FS15, the DMC-FS7 also include a newly-added independent iA button on top of the camera that lets the user enter directly into the mode without going into the menu. Other features of the FS7 include a Venus Engine (more…)

Video test of the Panasonic Lumix DMC-FS7 10MP Digital Camera

The Panasonic Lumix DMC-ZR1 digital camera features the world’s first 0.3mm thin aspherical lens, allowing for a compact body that still features a powerful, 25mm-ultra-wide-angle, 8x optical zoom Leica DC Vario-Elmar lens.

Known for its long-zoom, yet compact digital cameras, Panasonic’s newest ZR1 compact digital camera delivers increased flexibility. With a zoom range of 25-200mm, the ZR1 allows for both expansive scenery photos as well as close-ups. Thi (more…)

Test video using the Panasonic Lumix DMC-ZR1 12.1MP Digital Camera
Good Points: Simple to use; nice design; excellent performance, great photo quality.
BAD points: No AV output cable included; no shutter speed, aperture controls.
Summary: With a wide-angle, megazoom lens, a quick Auto Focus system, and high-quality snapshot photos, the Panasonic Lumix DMC-ZR1 is a great compact camera with megazoom.

The LUMIX DMC-GF1 is the latest addition to the award-winning LUMIX G Series, which debuts as the world’s smallest and lightest system digital camera with a built-in flash.

The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic’s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system st (more…)

Video review of the Panasonic Lumix DMC-GF1

Video test using the Panasonic Lumix DMC-GF1

For the majority of us, taking photographs is a rather “informal” event. We spend minimal time posing our subjects, setting up the shot, adjusting the lighting, and so forth. However, understanding some of the basics of digital photography and taking just a bit of time prior to pressing the button can greatly improve the quality of the pictures we create.

Digital cameras introduced two great features into our world. One is the ability to delete pictures and try again. Beginning photographers need to experiment and practice. Digital cameras allow us to do this inexpensively. The second great feature is the ability to edit after the fact. However, the editing function is not unlimited and should not be used as a crutch; getting the shot right in the first place is still much more effective in creating quality images.

Most of the traditional rules for creating pictures still apply with digital photography. What makes a good photograph is the same. Good photography is a topic of considerable study but for now a brief discussion about just a handful of tips that will make the most immediate improvement for the true novice is sufficient.

Avoid blurry pictures by keeping a steady camera. Tripods are of course excellent for this purpose but aren’t always handy or available. Without a tripod, you can grasp the camera in a manner that is comfortable for you; using two hands offers the best stability. Steady the camera by holding your arms next to your body with your elbows in close to your chest or stomach. You can brace yourself by keeping your feet apart or leaning against a wall, tree, or other object when possible.

Don’t be afraid to set up the shot. When working with people as subjects, it is easy to direct them for a better picture. When looking at the LCD you can see basically how the shot is set up. Would the shot be better if the subjects in a group stepped in closer together, if they removed their sunglasses, if they turned slightly, or looked over your shoulder versus straight into the camera? You are the director and can make alterations at that point.

Another element of setting up the shot is to use an uncluttered background. If a person is the subject of your picture you want to eliminate all the other “distractions” in the surrounding area. A lot of background activity and other objects can take away from your intended subject. Sometimes just repositioning a bit and stepping in closer can help achieve a better background as well.

Another general rule is to take pictures at the eye level of the subject. In other words, your view angle should not be from above or below. This allows much more detail, the ability to see expression, emotion, personality, and so forth. This doesn’t necessarily mean that the subject must look directly into the camera however.

When shooting people, animals, and wildlife it is usually best to move in close. Closer shots can dramatically improve your results. In some instances stepping in closer is not an option but in these instances you can use zoom to come in closer to the subject. Too close is 3 feet or less, this kind of proximity can result in blurry pictures. Special lenses are used for ultra up close photography.

Lighting is probably the most critical factor in image quality and it will be discussed in greater detail in a later article. For now it will suffice to say that mid-day often does not produce the best pictures. The lighting is harsh, it creates shadows, and it can alter the colors you are trying to capture. In general, you want the sun behind you but you need to be sure your shadow is not in the picture! When shooting people you also need to be sure that the sun is not forcing them to squint.

These are just a few of the most basic tips for creating the kind of images you want. To master these concepts practice is critical but the happy news is that they don’t really require a great deal of time or require any additional equipment and expense. Christine Peppler shares information on home electronics and home entertainment on her website at: http://www.homemedias.infoanti-virus

The 12.1-megapixel Lumix DMC-FS15 features a 29mm wide-angle Leica DC Vario-Elmar lens with a 5x optical zoom.

Panasonic has enhanced the Intelligent Auto Mode (iA) on the DMC-FS15 from the previous FS models to now include AF tracking and Intelligent Exposure functions in addition to Mega O.I.S., Intelligent ISO Control, Intelligent Scene Selector and Face Detection.

AF Tracking enables the user to “lock” the focus onto a moving subject. The camera then automatically shoots great photos. (more…)

A video review of the Panasonic Lumix DMC-FS15 12MP

A video test of the Panasonic Lumix DMC-FS15 12MP